Title
Music between philosophy and science: the applicability of scientific results to the philosophy of music
Creator
Srećković, Sanja, 1987-, 36672103
Copyright date
2019
Object Links
Select license
Autorstvo-Nekomercijalno 3.0 Srbija (CC BY-NC 3.0)
License description
Dozvoljavate umnožavanje, distribuciju i javno saopštavanje dela, i prerade, ako se navede ime autora na način odredjen od strane autora ili davaoca licence. Ova licenca ne dozvoljava komercijalnu upotrebu dela. Osnovni opis Licence: http://creativecommons.org/licenses/by-nc/3.0/rs/deed.sr_LATN Sadržaj ugovora u celini: http://creativecommons.org/licenses/by-nc/3.0/rs/legalcode.sr-Latn
Language
English
Cobiss-ID
Theses Type
Doktorska disertacija
description
Datum odbrane: 09.12.2019.
Other responsibilities
mentor
Arsenijević, Miloš, 1950-, 12309095
član komisije
Popović Mlađenović, Tijana, 1962-, 23911271
član komisije
Jovanović Kozlovski, Radmila, 1983-, 36840039
Academic Expertise
Društveno-humanističke nauke
University
Univerzitet u Beogradu
Faculty
Filozofski fakultet
Alternative title
Muzika između filozofije i nauke: primenljivost rezultata naučnih istraživanja u filozofiji muzike
Publisher
[S. Srećković]
Format
183 lista
description
Philosophy - Philosophy of music / Filozofija - Filozofija muzike
Abstract (en)
The dissertation discusses the relationship between two approaches to researching music: the empirical approach of experimental psychology and cognitive neuroscience, and the speculative approach of philosophical aesthetics of music. The aim of the dissertation is to determine the relationship between problems, conceptual frameworks, and domains of inquiry of the two approaches. The dissertation should answer whether the philosophical and the empirical approach deal with the same, or at least relatable aspects of music. In particular, it should answer whether the results of the empirical research contribute to the debates of philosophical aesthetics of music. Each of the three chapters of the dissertation deals with one particular problem in philosophy of music: meaning in music, value of music, and the relationship between music and the emotions. For each particular philosophical problem discussed in these chapters, it is demonstrated that the experimental results provide interesting insights for philosophy of music. It is concluded in the dissertation that philosophers can benefit from examining experimental studies, not only regarding the particular aesthetic theories, but also in regard to the methodological consideration, since the dissertation shows that this kind of interdisciplinary approach uncovers methods useful to philosophers, not commonly available to the armchair philosophical approach
Abstract (sr)
Disertacija se bavi odnosom između dva pristupa istraživanju muzike: empirijskog pristupa eksperimentalne psihologije i kognitivne neuronauke, i spekulativnog pristupa filozofske estetike muzike. Cilj disertacije je određivanje odnosa među problemima, teorijskim okvirima i domenima istraživanja ova dva pristupa. Disertacija daje odgovor na pitanje da li se filozofski i empirijski pristup bave istim, ili barem povezivim aspektima muzike. Disertacija bi trebalo i da odgovori da li se rezultati empirijskog istraživanja muzike mogu primeniti u filozofskoj estetici muzike. Disertacija je podeljena u tri poglavlja. Svako poglavlje se bavi jednim problemom u filozofiji muzike: značenjem u muzici, vrednošću muzike, i odnosom muzike i emocija. Za svaki pojedinačni filozofski problem prikazan u disertaciji, pokazuje se da eksperimentalni rezultati donose zanimljive i relevantne uvide za filozofiju muzike. Zaključak disertacije je da analiza eksperimentalnih studija može doneti filozofima značajne uvide, ne samo po pitanju konkretnih estetičkih teorija, nego i u metodološkom razmatranju, s obzirom na to da se u tezi višestruko pokazuje da interdisciplinarno istraživanje koje je sprovedeno u samoj disertaciji otkriva metode od velike koristi za filozofe, a koji su nepristupačni uobičajenom spekulativnom filozofskom istraživanju
Authors Key words
philosophy of music, musical meaning, aesthetic value, emotions in music, experimental psychology, cognitive science, music cognition, neuroscience of music, interdisciplinarity
Authors Key words
filozofija muzike, muzičko značenje, estetska vrednost, emocije u muzici, eksperimentalna psihologija, kognitivna nauka, muzička kognicija, neuronauka muzike, interdisciplinarnost
Classification
78.01(043.3)
78:159.9(043.3)
Type
Tekst
Abstract (en)
The dissertation discusses the relationship between two approaches to researching music: the empirical approach of experimental psychology and cognitive neuroscience, and the speculative approach of philosophical aesthetics of music. The aim of the dissertation is to determine the relationship between problems, conceptual frameworks, and domains of inquiry of the two approaches. The dissertation should answer whether the philosophical and the empirical approach deal with the same, or at least relatable aspects of music. In particular, it should answer whether the results of the empirical research contribute to the debates of philosophical aesthetics of music. Each of the three chapters of the dissertation deals with one particular problem in philosophy of music: meaning in music, value of music, and the relationship between music and the emotions. For each particular philosophical problem discussed in these chapters, it is demonstrated that the experimental results provide interesting insights for philosophy of music. It is concluded in the dissertation that philosophers can benefit from examining experimental studies, not only regarding the particular aesthetic theories, but also in regard to the methodological consideration, since the dissertation shows that this kind of interdisciplinary approach uncovers methods useful to philosophers, not commonly available to the armchair philosophical approach
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