ǂThe ǂpoetics of darkness: Janis Joplin, Amy Winehouse, and Beth Hart Поэтика тьмы в популярной культуре: Дженис Джоплин, Эми Уай нхаус и Бет Харт

[D. D. Anđelić]

188 str.

Anglistika - Anglistika, popularna kultura / English Studies - English Studies, popular culture

Predmet istraživanja ove disertacije je poetika tame u životima i stvaralačkom radu tri muzičke umetnice – Dženis Džoplin, Ejmi Vajnhaus i Bet Hart. Postojeća literatura ispunjena je biografskim i medijskim prikazima njihovih života. Međutim, oni ne nude detaljne opise ili istrage u vezi sa poetskim jezikom i/ili tematskim preokupacijama ove tri umetnice. Cilj ove studije je da, istraživanjem stihova i života, otkrije specifične načine na koje su, kako pojedinačno, tako i zajedno, izražavale borbe sa bolestima zavisnosti, mentalnim poremećajima i popularnošću. U fokusu istraživanja je uticaj tema tame na njihove identitete i kulturnu zaostavštinu. U studiji su obavljene kvalitativna i kvantitivna analiza 83 pesme koje su umetnice samostalno napisale. Pomoću programskog jezika Pajton (Python), izvršene su tematska i analiza sentimenta, kako bi se pronašli učestali motivi, intenzitet emocija i određeni lingvistički obrasci. Dokumentarna i biografska analiza, doprinele su dubljem razumevanju uticaja ličnih iskustava na umetnički izraz. Istraživanje otkriva da su sve tri umetnice preokupirane temama otuđenosti, egzistencijalnog preispitivanja i dihotomije između velike ranjivosti i izrazite snage. U stvaralaštvu Dženis Džoplin je prisutna zaokupljenost temama duhovnosti i ljubavnim odnosima, dok se Ejmi Vajnhaus bavila kompleksnim stranama ljubavi, zajedno sa bolestima zavisnosti i autodestrukcijom. Za razliku od njih dve, Bet Hart svojim stihovima izražava otpor, snagu, mogućnost ozdravljenja i oporavka. Ona jeste dokaz da borba sa tamom i u tami, može postati izvor snage. Analiza sentimenta je otkrila pretežno negativan sentiment u autorskim stihovima Dženis Džoplin i Ejmi Vajnhaus. U pesmama Bet Hart, negativni sentiment je vremenom prešao u neutralan i, često, pozitivan. Sve tri umetnice su se služile muzikom kako bi artikulisale tamu i suočile se sa istom u sebi i oko sebe. Muzika je postala njihov mehanizam za istraživanje dubljih egzistencijalnih i socijalnih pojava. Šire implikacije ovog istraživanja doprinose boljem razumevanju terapeutske i emocionalne uloge muzike pri ispoljavanju ili suočavanju sa psihičkim problemima, naročito u kontekstu rok, bluz i soul muzike. Rezultati ove studije mogu podstaći dodatna istraživanja muzike kao mehanizma za odbranu od tame ili suočavanje sa njom, i izražavanje nepoželjnih, skrajnutih emocija i iskustava.

This dissertation examines the poetics of darkness in the lives and works of Janis Joplin, Amy Winehouse, and Beth Hart. Existing literature is rich in biographical and media depictions of their lives. However, it lacks a comprehensive analysis of their poetic expressions and thematic concerns. The aim of this study is to discover the shared and unique ways these artists expressed their personal struggles including mental health, addiction and the pressures of fame through their lyrics. The research focuses on how the themes of darkness are articulated and how they have impacted the artists’ identities and their legacy. The study uses qualitative and quantitative analysis of 83 self-penned songs of the three artists. In order to assess recurring motfs, emotional intensity and linguistic patterns, the research employs thematic and sentiment analyses using Python-based tools. Documentary and biographical analysis contributed to a deeper understanding of how how their personal experiences influence their artistic expressions. The findings indicate that themes of alienation, existential questioning, and the contrast between vulnerability and strength are present in the works of the artists. Joplin is preoccupied with spirituality and personal relationships, while Winehouse delves into the complexities of love intertwined with addiction and self-destruction. Contrasting with the two, Hart focuses on resilience, recovery, and self- expression. She becomes the epitome of the struggle with inner and outer darkness that turns into a source of empowerment. Sentiment analysis highlights negative sentiment in the lyrics of Joplin and Winehouse. Hart’s lyrics show a shift from negativity to a more balanced and rather positive sentiment over time. Jopin, Winehouse and Hart use their music as a platform to confront and communicate the darkness inside and outside. Music was their coping mechanism for exploring deeper existential and social issues. The implications of this research contribute to a broader understanding of the therapeutic and expressive roles of music in addressing psychological challenges, particularly within the cultural contexts of rock, blues, and soul genres. These findings invite further exploration into how music serves as a coping mechanism and a voice for marginalized experiences, offering insights into the intersection of art, personal struggle, and societal influence.

Poetika tame, popularna kultura, analiza stihova, Dženis Džoplin, Ejmi Vajnhaus, Bet Hart

Poetics of darkness, popular culture, popular music, lyrics analysis, Janis Joplin, Amy Winehouse, Beth Hart

78.067.26"19/20"(043.3) 316.7"19/20"(043.3)

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